In Gilligan’s remarkable latest (after Nine Folds Make a Paper Swan), a group of eight men known as the Butchers slaughter and dress cattle on a series of farms in Ireland, practicing ancient rituals meant to ward off a curse. As mad cow disease upends the British beef industry in 1996, American photographer Ronan Monks shoots a photo of a dead man hanging from a meat hook driven through his feet in County Monaghan, where Monks has come to photograph life in the Irish border counties. The man in Monks’s photo is a Butcher, but the circumstances of his death remain mysterious for much of the novel, which flashes forward to 2018, with Monks planning to show the photo for the first time. The bulk of the narrative uses four viewpoints: Grá, lonely after her husband leaves for the Butchers’ long annual journey, is attracted to Monks. Grá’s daughter, Úna, reveres the Butcher heritage and hopes to become the first female Butcher. She practices their rituals and knife skills while her classmates’ bullying tempts her to violence. Dairy farmer Fionn joins a risky cattle smuggling scheme in order to pay for treatments at a clinic he believes could cure his wife’s brain cancer. Fionn’s son, Davey, hopes his college entrance exams will qualify him to study in Dublin. As the desperate protagonists discover how far they will go for their desires, their stories illuminate the power of myth, the tensions between past and present, and the weight of family expectations. With beautifully crafted prose, suspenseful plotting, and imaginative scope, Gilligan’s off to a blazing start. (Nov.)
FBI Agent Atlee Pine’s search for her sister Mercy clashes with military investigator John Puller’s high-stakes case, leading them both deep into a global conspiracy — from which neither of them will escape unscathed.
For many long years, Atlee Pine was tormented by uncertainty after her twin sister, Mercy, was abducted at the age of six and never seen again. Now, just as Atlee is pressured to end her investigation into Mercy’s disappearance, she finally gets her most promising breakthrough yet: the identity of her sister’s kidnapper, Ito Vincenzo.
With time running out, Atlee and her assistant Carol Blum race to Vincenzo’s last known location in Trenton, New Jersey — and unknowingly stumble straight into John Puller’s case, blowing his arrest during a drug ring investigation involving a military installation.
Stunningly, Pine and Puller’s joint investigation uncovers a connection between Vincenzo’s family and a breathtaking scheme that strikes at the very heart of global democracy. Peeling back the layers of deceit, lies and cover-ups, Atlee finally discovers the truth about what happened to Mercy. And that truth will shock Pine to her very core.
A double homicide in the nation’s capital opens the psychological case files — Detective Alex Cross.
Kay Willingham led a life as glamorous as it was public — she was a gorgeous Georgetown socialite, philanthropist, and the ex-wife of the vice-president. So why was she parked in a Bentley convertible idling behind a DC private school, in the middle of the night, with the man who was the head of that school? Who shot them both, point blank, and why? The shocking double homicide is blazed across the internet, TV, newspapers — and across Alex Cross’ mind. Kay had been his patient once. And maybe more.
Alex Cross and FBI Special Agent Ned Mahoney travel to Alabama to investigate Kay’s early years. There they find a world of trouble, corruption, and secrets, all of them closed to outsiders like Cross and Mahoney. Kay had many enemies, but all of them seemed to need her alive. The harder the investigators push, the more resistance they find when they leave behind the polite law offices and doctors’ quarters of the state capital. Alex Cross will need to use all his skills as a doctor, a detective, and a family man to prevent that resistance from turning lethal…again.
Trapped in the middle of five siblings, Everly Lancaster always had big dreams. Now a top real-estate executive, Everly finds her work is her life, leaving no space for anything (or anyone) else. Sensing her stress, Everly’s boss insists she take December off. At first, a month away seems crazy–how will the company survive without her? But Everly’s mother convinces her otherwise. She deserves a vacation–plus, when she returns, she’ll have no excuse to skip family Christmas like she did last year.
But after her vengeful assistant books a guided cruise in the Amazon instead of the luxury beach vacation she expected, Everly is horrified to realize that she’s about to spend the next two weeks trapped–with no Wi-Fi!–in the rain forest. Not even Asher Adams, the ship’s charming naturalist, can convince Everly that the trip will be unforgettable. Slowly but surely, she realizes he is right: the sights are spectacular. And with each passing day, Everly’s relationship with Asher deepens, forcing her to take a long, hard look at her priorities.
Everly and Asher begin to see magic in the possibility of a life together. But as the cruise nears its end, and Everly’s family Christmas approaches, both must decide if love is worth the risk. A merry surprise may be in store in Debbie Macomber’s newest holiday delight.
Call Ava romantic, but she thinks love should be found in the real world, not on apps that filter men by height, job, or astrological sign. She believes in feelings, not algorithms. So after a recent breakup and dating app debacle, she decides to put love on hold and escapes to a remote writers’ retreat in coastal Italy. She’s determined to finish writing the novel she’s been fantasizing about, even though it means leaving her close-knit group of friends and her precious dog, Harold, behind.
At the retreat, she’s not allowed to use her real name or reveal any personal information. When the neighboring martial arts retreat is canceled and a few of its attendees join their small writing community, Ava, now going by “Aria,” meets “Dutch,” a man who seems too good to be true. The two embark on a baggage-free, whirlwind love affair, cliff-jumping into gem-colored Mediterranean waters and exploring the splendor of the Italian coast. Things seem to be perfect for Aria and Dutch.
But then their real identities–Ava and Matt–must return to London. As their fantasy starts to fade, they discover just how different their personal worlds are. From food choices to annoying habits to sauna etiquette . . . are they compatible in anything? And then there’s the prickly situation with Matt’s ex-girlfriend, who isn’t too eager to let him go. As one mishap follows another, it seems while they love each other, they just can’t love each other’s lives. Can they reconcile their differences to find one life together?
It’s 1965, and life has taken a turn for eighteen-year-old Anton Addison-Rice. Nearly a year after his brother died in a tragic accident, Anton is still wounded—physically and emotionally. Alone for the holidays, he catches a glimpse of his neighbor Edith across the street one evening and realizes that she’s in danger.
Anton is determined to help Edith leave her abusive marriage. Frightened and fifteen years Anton’s senior, Edith is slow to trust. But when she needs a safe place to stay, she lets down her guard, and over the course of ten days an unlikely friendship grows. As Anton falls hopelessly and selflessly in love, Edith fears both her husband finding her and Anton getting hurt. She must disappear without telling anyone where she’s going—even Anton.
If keeping Edith safe means letting her go, Anton will say goodbye forever. Or so he believes. What would happen, though, if one day their paths should cross again?
In late 1970, Oliver Desmarais drops dead in his front yard while hanging Christmas lights. In the year that follows, his widow, Virginia, struggles to find her place on the campus of the elite New Hampshire men’s college where Oliver was a professor. While Virginia had always shared her husband’s prejudices against the four outspoken, never-married women on the faculty–dubbed the Gang of Four by their male counterparts–she now finds herself depending on them, even joining their work to bring the women’s movement to Clarendon College.
Soon, though, reports of violent protests across the country reach this sleepy New England town, stirring tensions between the fraternal establishment of Clarendon and those calling for change. As authorities attempt to tamp down “radical elements,” Virginia must decide whether she’s willing to put herself and her family at risk for a cause that had never felt like her own.
Told through alternating perspectives, The Wrong Kind of Woman is an engrossing story about finding the strength to forge new paths, beautifully woven against the rapid changes of the early �70s.
A down-to-earth, hilarious collection of stories and musings on marriage, motherhood, and country life from the #1 New York Times bestselling author and star of the Food Network show The Pioneer Woman, Ree Drummond.
In this relatable, charming book, Ree unveils real goings-on in the Drummond house and around the ranch. In stories brimming with the lively wit and humor found in her cookbooks and her bestselling love story, The Pioneer Woman: Black Heels to Tractor Wheels, Ree pulls back the curtain and shares her experiences with childbirth, wildlife, isolation, teenagers, in-laws, and a twenty-five-year marriage to a cowboy/rancher.
A celebration of family life, love, and (mostly) laughter, Frontier Follies is a keepsake to curl up with, have a good laugh, and remember all that’s wonderful (and funny) about family.
The beloved New York Times bestselling author tells the moving love story of caring for her parents in their final years in this beautifully written memoir.
Elizabeth Berg’s father was an Army veteran who was a tough man in every way but one: He showed a great deal of love and tenderness to his wife. Berg describes her parents’ marriage as a romance that lasted for nearly seventy years; she grew up watching her father kiss her mother upon leaving home, and kiss her again the instant he came back. His idea of when he should spend time away from her was never.
But then her father developed Alzheimer’s disease, and her parents were forced to leave the home they loved and move into a facility that could offer them help. It was time for their children to offer practical advice, emotional support, and direction, to the best of their ability–to, in effect, parent the people who had for so long parented them. It was a hard transition, mitigated at least by flashes of humor and joy. But the mix of emotions on everyone’s part could make every day feel like walking through a minefield. Then came redemption.
I’ll Be Seeing You charts the passage from the anguish of loss to the understanding that even in the most fractious times, love can heal, transform, and lead to graceful–and grateful–acceptance.